Smearing together vinyl samples and field recordings, the album barely betrays its component parts at all. There are no hard edges in Jake Muir’s the hum of your veiled voice. Abstract but vividly expressive, Skeen’s shape-shifting musique concrete amounts to a wordless form of storytelling. But other tracks, like “The world has no visible order and all I have is the order of my breath.,” eke an uneasy peace out of choral airs and trembling oscillators.
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The mood is frequently oppressive: In “Mirror Glimpse,” terrifying Theremin-like tones recall Jonathan Bepler’s ear-piercing score for Matthew Barney’s Cremaster 3 in “Leveled Ground, Bottomless Pit,” tinny voices suggest intercepted radio transmissions, or perhaps a neighbor’s TV heard through tenement walls, while helicopter rotors throb overhead-a grim picture of the contemporary surveillance state, perhaps. Across its seven tracks, she folds in ominous drones, scraped cellos, bells, buzzing organs, and haywire electronics. “Rarely does a piece come together with all the materials created specifically for that piece-I’ll borrow from this folder, from that instrument, from another old tape run through a couple loops on the four-track.” On Double Bind, that approach translates to an album whose dynamism belies the idea of ambient’s supposed passivity. “My compositional process is entirely reliant on listening to sounds and deciding how they fit together and flow,” she has said.
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Los Angeles’ Geneva Skeen is a kind of aural collage artist. There’s real beauty here, but it all takes place behind a curtain of ash. That layer of obfuscation lends to its wistful yet guarded expressive character. The music, which Shanahan created by running field recordings through his modular setup, is swathed in static and hiss. Cosmic Surveillance joins the bleeps and pings of the BBC Radiophonic Workshop with the stately pads of the Berlin school and the charred circuitry of noise music it hangs tentatively in the balance between numbing dronescapes and more contemplative harmonic progressions. Finally, last month, he dusted off his seldom-used Cosmic Surveillance alias for a self-titled album cut from even more Spartan cloth. Come September, he signed his given name to the more experimental Frozen Clock Hovering, where he grappled with depression via chilly, reverberant drones, dank as a moldy basement.
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Then, as Auscultation, he turned around and dropped an even more nuanced record just two months later, plunging into a shadowy netherworld of bittersweet ambient techno.
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Under his long-running Golden Donna alias, he released a gorgeous, emotionally complex album of hardware-centric techno in March. This content can also be viewed on the site it originates from.Īfter a few years of lying low, Portland, Oregon’s Joel Shanahan enjoyed an unusually productive year.